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SOURCE: CNN.COM
Asked what he thought of rap, Obama said the genre has broken down barriers within the music world, though he's concerned about his daughters -- Malia, 9, and Sasha, 7 -- listening to it.
"I am troubled sometimes by the misogyny and materialism of a lot of rap lyrics," he said, "but I think the genius of the art form has shifted the culture and helped to desegregate music."
He said hip-hop mogul Russell Simmons and rappers Jay-Z and Ludacris were "great talents and great businessmen."
"It would be nice if I could have my daughters listen to their music without me worrying that they were getting bad images of themselves," he added.
Obama appears on the cover of the magazine, which endorsed him for president in March.






Aight Clyde, I know you were doing your thing on a large scale independently. How did you manage to get so much accomplished?
I took a trip to New York in 2001. I met some people backstage, before the hyphy movement and I was kind of doing what 50 Cent was doing by using the underground. At that point he wasn’t signed to Em or Dre yet. Before people were doing it I was making mixtapes but I wasn’t using beats that were on the radio. I took beats that were album cuts and songs hat people hadn’t heard before. I had my ProTools before people were really using it. The only dude I had seen do it was 50 so when I came back to Oakland I used his same format but instead of doing a mixtape I created an album with it.
We pushed that album in the streets and it had Nate Dogg and Nas but it was songs that people hadn’t heard like hidden tracks and stuff. We sold like 24,000 of the motherfuckers out the trunk and hand to hand or walking through the mall. The buzz started and people knew we were Oakland niggas but they thought we kinda sounded like we were from New York. That gave us the leverage we needed when we presented our stuff to the radio stations because people knew who we were.
That’s how I got my buzz started. We dropped numerous singles on the radio. I always wanted a universal sound so that was our main goal and I think we accomplished that. People just thought we had a different sound. That’s what separated me and my group from other artists.
Do people still confuse you for a New York artist?
Nah I wouldn’t say they think I’m a New York artist. When I came back from New York I had a strong accent. I was pretty young and I was out there alone so I was like a sponge. I wasn’t trying to sound like that but I picked it up. Artists sometimes pick up accents just because it’s popular but I was a sponge so it was just coming to me. I would be like, “word” or “yo”, you know? It would just come naturally. I haven’t lived out there since then and I talk like a nigga from Oakland, that’s what I sound like now. I try to make it a bigger sound. Lil’ Wayne probably still has his accent from Louisiana but when he gets in that booth he just projects something bigger.
So how did you get up with the Game and Black Wall Street?
When E-40 put out “Tell Me When To Go” it pretty much opened the doors for labels to come to the Bay and give out deals. Capitol was interested in me and Black Wall Street has a deal at Capitol. They had just signed a kid from out of New York and Capitol presented me to go through Game and I was with it. To me Game resurrected the youth in the West Coast. Snoop, Dre, 40 and Short have always done their thing but Game did it for the youth. He represented a fresh start and I try to do that as well I just try and do it from an Oakland perspective. I thought it would be a perfect combination. He told me he was feeling what I was doing and he wanted to take it to the next level.




























